Much like Michelangelo’s Slaves, my artistic talent and
personal development feel as if they are embedded in a block of marble,
possessing potential and struggling immensely to unearth themselves. It has
been a slow evolution, like waking from slumber, to chip away at the marble out
of sheer curiosity. As each piece is extracted from the stone, my soul is being
fed more knowledge and experience.
In Paul Gauguin's
“Where Do We Come From? What Are We? Where Are We Going?” various figures ponder three
fundamental questions of human existence. I am each of the figures in the
painting, contemplating these questions. I was born instinctively to make
art. Along the way through trials
and many tribulations of my own, I often questioned what direction to take my
art and my career. I now am reaching for the fruit of life, and ready to take
the next step as a perpetual student of art and life by studying at SUNY
Purchase. Earning my Masters of Fine Arts in Visual Arts/Masters of Art in Art
History with a concentration in Painting and Drawing is a stepping-stone to my
ultimate goal.
The dual degrees allow me to become an academic. A
well-rounded art scholar would have the sophistication of working in a museum,
and knowledge of both the Old and Modern Worlds taken further. I have experience both as an art
teacher K-12, and interning at the Museum of Modern Art’s Education Department.
As an art teacher, it was my responsibility to know my art history as a part of
my lessons. At the MOMA, I had to look up slides of artwork for the
department’s outreach program, sharing with teachers how to include art to
complement their lessons.
The old woman to the left of Gauguin’s painting, “Where Do
We Come From? What Are We? Where Are We Going?” has resigned to her destiny.
Contrary to Gauguin’s intention to view this withered woman as one who is
preparing to die, this woman may be seen as a sage passing her knowledge to the
young woman next to her. To answer the question, “Where Am I Going?” my career
plans include furthering my education with a doctoral program in Art History.
Like the scholarly old woman, I will teach to the new generation.
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